![]() This “One Note” exercise develops the ability to instantly sing any of the 12 pitches over a “key center.” Fanatic’s Guide to Ear Training and Sight Singing requires you to work with a CD and check answers with an instrument to do this exercise. The first and probably most important exercise for a beginner in the Fanatic’s Guide to Ear Training and Sight Singing is the “One Note” exercise. Which should I use first? Fanatic’s Guide to Ear Training and Sight Singing and Contextual Ear Training differences.Ĭontextual Ear Training and Fanatic’s Guide to Ear Training and Sight Singing are two closely related books. īy working with the audio files in the Contextual Ear Training over time, you gain the ability to sing the sound of all 12 notes within a “key center.” For some students this will be a quick and painless rebooting of the way they hear sound for others it can be a frustrating path with many possible pitfalls. ![]() In most cases we recommend you first work with Contextual Ear Training before moving on to Fanatic’s Guide to Ear Training and Sight Singing. Quite simply when they sing the 3rd they are not thinking that the note is four half steps above the root or in relation to any other note –they are recognizing the sound of a 3rd because they have memorized that sound within a “key center.” Fanatic’s Guide to Ear Training and Sight Singing teaches you the “Key Center” process Here’s how they do it: They use the “key center” of a song and internalize the sound of all 12 notes within that key center. So how do musicians identify the sounds they are singing instantaneously? Key Center is the “KEY” This isn’t about intellectual ability, it’s about the reality of TIME. In the real world, when music is being played in real time, as a musician, your mind just cannot calculate the intervals and analyze what you need to know in order to react properly right away. Maybe you have no problem in the classroom when the teacher plays a note and asks you to sing a Major 6th above it, but if you are trying to do this in time as you are actually singing a piece of real music, it becomes problematic, and the problem is compounded the more complicated the music becomes. Our minds can’t process interval relationships at the speed needed to sing notes accurately. The only way to instantly know what notes are being played is to ingrain in your mind the sound of each note within a key center so that you know the sounds you are singing in the same way that you see the color blue and know it’s blue. If you are trying to sing each note as it flows by in music, there is no way that you can calculate the distance between each note even at a slow tempo much less the usual speed that notes flow by in real time. If you are experiencing any of these problems then you need to get Fanatic’s Guide to Ear Training and Sight Singing and start working towards hearing music based by “key center.” Why doesn’t interval training work? Inability to maintain your own part when singing within groups or choirs. ![]() Not being able to find the first note of the melody when you start singing a song. ![]() Some of the most common problems with singing by interval are: It just doesn’t work when you are trying to sing a melody. The problem with this approach is pretty simple. This method is based on singing the distance between each note with no regard to a key center. The “Interval” method of Ear Training has been taught in music schools for literally hundreds of years and rarely been questioned. If you are only now acquainting yourself with this idea of “hearing within a key center” let’s look at a little history of ear training for musicians Even students that are just beginning with music have found that it completely transforms the way they hear and sing music. You will see from reading the reviews that this system of ear training has changed many musicians’ careers. A complete transformation of musical perception with this ear training concept. When a seasoned musician sings a melody, they are not thinking the distance between each note they are hearing, they are singing pitches within a “key center.” Seasoned musicians sing this way naturally after years of playing and singing but with Fanatic’s Guide to Ear Training and Sight Singing a student can fast forward their learning so that they can experience 30 years of ear training in a fraction of the time. The idea of singing sound based on a “key center” as opposed to singing an “interval” really began a revolution in the way musicians perceive sound. Fanatic’s Guide to Ear Training and Sight Singing our best selling singing method.
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